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Скачать книгу (размер 1 911 Kb , формат fb2, страниц 376) Аннотация: Self-portraiture is a challenging and complicated subject for any artist. Many fascinating and daunting questions emerge: if an artist is also the subject of the work, is there a conflict of interest? Or does self-portraiture afford an artist the opportunity to explore more freely the significance and meaning of his own presence within the world? And, what do these works actually tell us about an…

Скачать книгу (размер 1 095 Kb , формат fb2, страниц 216) Аннотация: Photographer Friedlander offers his view of America as seen through its architecture. Shot during the course of countless trips to urban and rural areas across the country, many of them made by car, these pictures capture an America as unblemished by romanticized notions of human nature as it is full of quirky human touches. 192 duotones.

Скачать книгу (размер 427 Kb , формат fb2, страниц 85) Аннотация: In 1964, two young art directors at Harper's Bazaar named Ruth Ansel and Bea Feitler hired the then up-and-coming photographer Lee Friedlander to photograph the much-anticipated new car models of that year. Friedlander's jazz album covers had proven he knew how to work on assignment, and Ansel and Feitler realized that if Bazaar was to obtain the photographer's best work he should be let alone to…

Скачать книгу (размер 565 Kb , формат fb2, страниц 112) Аннотация: Lee Friedlander is one of the few artists in any medium to have sustained a body of influential work over five decades. To make the photographs in Mannequin, he returned to the hand-held, 35-mm camera that he used in the earliest decades of his career. Over the past three years, Friedlander has roamed the sidewalks of New York City, Los Angeles and San Francisco, focusing on storefront windows…

Скачать книгу (размер 544 Kb , формат fb2, страниц 108) Аннотация: Landscape photography may soothe or disturb; beckon one to forbidden corners of the world or remind us of those spaces only memory recalls. Award-winning photographer Lee Friedlander knows how to evoke such complex responses even when, as in The Desert Seen, the landscape is as strange and impenetrable as that of the Sonora Desert. Here cacti as expansive and preposterous as oceanic fauna are…

Скачать книгу (размер 228 Kb , формат fb2, страниц 46) Аннотация: A facsimile edition of Friedlander`s exploration of the photographic self-portrait, first published in 1970.

Скачать книгу (размер 463 Kb , формат fb2, страниц 92) Аннотация: In 1994, suffering from aching knees and painfully concerned about it, Lee Friedlander decided to prepare himself for a sedentary life. He began to pursue the still life as a possibility and maybe a way of photographic life a dramatic shift for a man who has spent his life photographing on the street, in the woods, on the road, at parties, anywhere but sitting down. He tried a variety of subjects…

Скачать книгу (размер 483 Kb , формат fb2, страниц 96) Аннотация: In the Industrial North at the end of the 1970s, people were at work using hands and machinery to make things we all use. In the mid 80s, in Wisconsin, they built supercomputers; at the same time, near Boston, they typed on desktop computers. In New York City, in the early 90s, people stood on stock floors, trading. In 1995, in Omaha, they sat at computers, cold calling as telemarketers; and in…